Digital television (DTV) is the transmission of television signals, including the sound channel, using digital encoding modulator, in contrast to the earlier television technology, analog television, in which the video and audio are carried by analog signals. It is an innovative advance that represents the first significant evolution in television technology since color television in the 1950s.Digital TV transmits in a new image format called HDTV (high definition television), with greater resolution than analog TV, in a wide screen aspect ratio similar to recent movies in contrast to the narrower screen of analog TV. It makes more economical use of scarce radio spectrum space; it can transmit multiple channels, up to 7, in the same bandwidth occupied by a single channel of analog television,and provides many new features that analog television cannot. A transition from analog to digital broadcasting began around 2006 in some countries, and many industrial countries have now completed the changeover, while other countries are in various stages of adaptation. Different digital television broadcasting standards have been adopted in different parts of the world; below are the more widely used standards:

Digital Video Broadcasting (DVB) uses coded orthogonal frequency-division multiplexing (OFDM) modulation and supports hierarchical transmission. This standard has been adopted in Europe, Africa, Asia, Australia, total about 60 countries.

Advanced Television System Committee (ATSC) uses eight-level vestigial sideband (8VSB) for terrestrial broadcasting. This standard has been adopted by 6 countries: United States, Canada, Mexico, South Korea, Dominican Republic and Honduras.

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Integrated Services Digital Broadcasting (ISDB) is a system designed to provide good reception to fixed receivers and also portable or mobile receivers. It utilizes OFDM and two-dimensional interleaving. It supports hierarchical transmission of up to three layers and uses MPEG-2 video and Advanced Audio Coding. This standard has been adopted in Japan and the Philippines. ISDB-T International is an adaptation of this standard using H.264/MPEG-4 AVC that been adopted in most of South America and is also being embraced by Portuguese-speaking African countries.

Digital Terrestrial Multimedia Broadcasting (DTMB) adopts time-domain synchronous (TDS) OFDM technology with a pseudo-random signal frame to serve as the guard interval (GI) of the OFDM block and the training symbol. The DTMB standard has been adopted in the People's Republic of China, including Hong Kong and Macau.

Digital Multimedia Broadcasting (DMB) is a digital radio transmission technology developed in South Korea as part of the national IT project for sending multimedia such as TV, radio and datacasting to mobile devices such as mobile phones, laptops and GPS navigation systems.

History of Digital TV

Digital TV's roots have been tied very closely to the availability of inexpensive, high performance computers. It wasn't until the 1990s that digital TV became a real possibility.

In the mid-1980s, as Japanese consumer electronics firms forged ahead with the development of HDTV technology, and as the MUSE analog format was proposed by Japan's public broadcaster NHK as a worldwide standard, Japanese advancements were seen as pacesetters that threatened to eclipse U.S. electronics companies. Until June 1990, the Japanese MUSE standard—based on an analog system—was the front-runner among the more than 23 different technical concepts under consideration. Then, an American company, General Instrument, demonstrated the feasibility of a digital television signal. This breakthrough was of such significance that the FCC was persuaded to delay its decision on an ATV standard until a digitally based standard could be developed.

In March 1990, when it became clear that a digital standard was feasible, the FCC made a number of critical decisions. First, the Commission declared that the new ATV standard must be more than an enhanced analog signal, but be able to provide a genuine HDTV signal with at least twice the resolution of existing television images. Then, to ensure that viewers who did not wish to buy a new digital television set could continue to receive conventional television broadcasts, it dictated that the new ATV standard must be capable of being "simulcast" on different channels. The new ATV standard also allowed the new DTV signal to be based on entirely new design principles. Although incompatible with the existing NTSC standard, the new DTV standard would be able to incorporate many improvements.

The final standard adopted by the FCC did not require a single standard for scanning formats, aspect ratios, or lines of resolution. This outcome resulted from a dispute between the consumer electronics industry (joined by some broadcasters) and the computer industry (joined by the film industry and some public interest groups) over which of the two scanning processes—interlaced or progressive—is superior. Interlaced scanning, which is used in televisions worldwide, scans even-numbered lines first, then odd-numbered ones. Progressive scanning, which is the format used in computers, scans lines in sequences, from top to bottom. The computer industry argued that progressive scanning is superior because it does not "flicker" in the manner of interlaced scanning. It also argued that progressive scanning enables easier connections with the Internet, and is more cheaply converted to interlaced formats than vice versa. The film industry also supported progressive scanning because it offers a more efficient means of converting filmed programming into digital formats. For their part, the consumer electronics industry and broadcasters argued that interlaced scanning was the only technology that could transmit the highest quality pictures then (and currently) feasible, i.e., 1,080 lines per picture and 1,920 pixels per line. Broadcasters also favored interlaced scanning because their vast archive of interlaced programming is not readily compatible with a progressive format.

Inaugural launches

DirecTV in the U.S. launched the first commercial digital satellite platform in May 1994, using the Digital Satellite System (DSS) standard. Digital cable broadcasts were tested and launched in the U.S. in 1996 by TCI and Time Warner.The first digital terrestrial platform was launched in November 1998 as ONdigital in the United Kingdom, using the DVB-T standard.

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Formats and bandwidth of Digital TV

Comparison of image quality between ISDB-T (1080i broadcast, top) and NTSC (480i transmission, bottom)

Digital television supports many different picture formats defined by the broadcast television systems which are a combination of size and aspect ratio (width to height ratio).

With digital terrestrial television (DTT) broadcasting, the range of formats can be broadly divided into two categories: high definition television (HDTV) for the transmission of high-definition video and standard-definition television (SDTV). These terms by themselves are not very precise, and many subtle intermediate cases exist.

One of several different HDTV formats that can be transmitted over DTV is: 1280 × 720 pixels in progressive scan mode (abbreviated 720p) or 1920 × 1080 pixels in interlaced video mode (1080i). Each of these uses a 16:9 aspect ratio. HDTV cannot be transmitted over analog television channels because of channel capacity issues.

SDTV, by comparison, may use one of several different formats taking the form of various aspect ratios depending on the technology used in the country of broadcast. In terms of rectangular pixels, NTSC countries can deliver a 640 × 480 resolution in 4:3 and 854 × 480 in 16:9, while PAL can give 768 × 576 in 4:3 and 1024 × 576 in 16:9. However, broadcasters may choose to reduce these resolutions to reduce bit rate (e.g., many DVB-T channels in the United Kingdom use a horizontal resolution of 544 or 704 pixels per line).

Each commercial broadcasting terrestrial television DTV channel in North America is permitted to be broadcast at a bit rate up to 19 megabits per second. However, the broadcaster does not need to use this entire bandwidth for just one broadcast channel. Instead the broadcast can use the channel to include PSIP and can also subdivide across several video subchannels (a.k.a. feeds) of varying quality and compression rates, including non-video datacasting services that allow one-way high-bit-rate streaming of data to computers like National Datacast.

A broadcaster may opt to use a standard-definition (SDTV) digital signal instead of an HDTV signal, because current convention allows the bandwidth of a DTV channel (or "multiplex") to be subdivided into multiple digital subchannels, (similar to what most FM radio stations offer with HD Radio), providing multiple feeds of entirely different television programming on the same channel. This ability to provide either a single HDTV feed or multiple lower-resolution feeds is often referred to as distributing one's "bit budget" or multicasting. This can sometimes be arranged automatically, using a statistical multiplexer (or "stat-mux"). With some implementations, image resolution may be less directly limited by bandwidth; for example in DVB-T, broadcasters can choose from several different modulation schemes, giving them the option to reduce the transmission bit rate and make reception easier for more distant or mobile viewers.

Receiving digital signal

There are several different ways to receive digital television. One of the oldest means of receiving DTV (and TV in general) is from terrestrial transmitters using an antenna (known as an aerial in some countries). This way is known as Digital terrestrial television (DTT). With DTT, viewers are limited to channels that have a terrestrial transmitter in range of their antenna.

Other ways have been devised to receive digital television. Among the most familiar to people are digital cable and digital satellite. In some countries where transmissions of TV signals are normally achieved by microwaves, digital MMDS is used. Other standards, such as Digital multimedia broadcasting (DMB) and DVB-H, have been devised to allow handheld devices such as mobile phones to receive TV signals. Another way is IPTV, that is receiving TV via Internet Protocol, relying on digital subscriber line (DSL) or optical cable line. Finally, an alternative way is to receive digital TV signals via the open Internet (Internet television), whether from a central streaming service or a P2P (peer-to-peer) system.

Some signals carry encryption and specify use conditions (such as "may not be recorded" or "may not be viewed on displays larger than 1 m in diagonal measure") backed up with the force of law under the World Intellectual Property Organization Copyright Treaty (WIPO Copyright Treaty) and national legislation implementing it, such as the U.S. Digital Millennium Copyright Act. Access to encrypted channels can be controlled by a removable smart card, for example via the Common Interface (DVB-CI) standard for Europe and via Point Of Deployment (POD) for IS or named differently CableCard.

Protection parameters for terrestrial DTV broadcasting

Digital television signals must not interfere with each other, and they must also coexist with analog television until it is phased out. The following table gives allowable signal-to-noise and signal-to-interference ratios for various interference scenarios. This table is a crucial regulatory tool for controlling the placement and power levels of stations. Digital TV is more tolerant of interference than analog TV, and this is the reason a smaller range of channels can carry an all-digital set of television stations.

System Parameters (protection ratios)	Canada	USA	EBU ITU-mode M3	Japan & Brazil
C/N for AWGN Channel	+19.5 dB (16.5 dB)	+15.19 dB	+19.3 dB	+19.2 dB
Co-Channel DTV into Analog TV	+33.8 dB	+34.44 dB	+34 ~ 37 dB	+38 dB
Co-Channel Analog TV into DTV	+7.2 dB	+1.81 dB	+4 dB	+4 dB
Co-Channel DTV into DTV	+19.5 dB (16.5 dB)	+15.27 dB	+19 dB	+19 dB
Lower Adjacent Channel DTV into Analog TV	−16 dB	−17.43 dB	−5 ~ −11 dB	−6 dB
Upper Adjacent Channel DTV into Analog TV	−12 dB	−11.95 dB	−1 ~ −10]	−5 dB
Lower Adjacent Channel Analog TV into DTV	−48 dB	−47.33 dB	−34 ~ −37 dB	−35 dB
Upper Adjacent Channel Analog TV into DTV	−49 dB	−48.71 dB	−38 ~ −36 dB	−37 dB
Lower Adjacent Channel DTV into DTV	−27 dB	−28 dB	−30 dB	−28 dB
Upper Adjacent Channel DTV into DTV	−27 dB	−26 dB	−30 dB	−29 dB

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